Ariel Zambelich

Ariel Zambelich (pictured above) started out shooting still photography for her high school yearbook. By the time college rolled around, she decided to focus her lens on motion pictures instead. At San Francisco State University, Zambelich was an aspiring documentary filmmaker. But she “soon realized it wasn’t a good fit.”
“After talking to a high school friend's older sister, I changed majors to journalism with a focus on photography, and I haven't looked back,” she said. “I fell in love with photographing people, and was amazed it was possible to make a living through meeting strangers, listening to their stories, and photographing their lives.”
Now, she’s a California-based freelance photographer who is doing just that.
World-renowned photographers – Eugene Richards, Donna Ferrato, Larry Towell, Robert Frank, James Nachtwey – inspire her work. As do her peers.
“It's definitely inspiring to see the photographers I went through school with grow so much. They're all starting collectives and small agencies, figuring out ways to fund their personal projects, and really making names for themselves,” Zambelich said. “We're always trading stories and editing each others pictures; it's an incredible support system, especially in a time when the industry is on such shaky ground and a lot of people are flailing as they try to make heads or tails of it.”
Zambelich is currently following the transition of a 53-year-old man into his new life as a woman. “The issues surrounding the transgender community have always been interesting to me,” she said. “My foster brother was transsexual, and was always really open about his lifestyle. It's been interesting to shoot because the story touches on a lot of psychological and emotional issues beyond the generally-publicized ‘man wants to be woman and is now happy’ mentality, and it's really opened my eyes to the complexities of life in transition.”
It’s not easy, she said: “There have definitely been days where I went home totally drained or confused or frustrated, which often happens on a long-term project. But there have also been some really incredible moments that make me grateful for the opportunity to do the job I do, and to be privy to the intimate moments in these people's lives.”
Labels: Ariel Zambelich, East West Magazine, photography













